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Editorial Reviews. Review. Recommended (Choice) Chinese Women's Cinema offers Chinese Women's Cinema: Transnational Contexts (Film and Culture Series) Kindle Edition. by Lingzhen Wang (Editor).
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Transaction, From the horrors of war to the red carpet at Cannes, the history of Chinese film has illustrated the extremes of politics and art in a delicate dance that has captivated the attention of art and film historians for decades. Ding traces the development of Chinese film as a source of high culture from the s to the present day.

Film: General Studies

Dissanayake, Wimal, ed.. Honolulu: East-West Center, Donald, Stephanie. Aldershot, UK ; Brookfield, Vt. Elgar, , Lanham, MD: Rowan and Littlefield, Lanham, MD: Rowman and Littlefield, Downing, John, ed.

Film and Politics in the Third World. Du, Daisy Yan. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation—a minor art form for children—coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad.

Taibei: Xingzheng yuan wenhua jianshe weiyuanhui, Eberhard, Wolfram. Taibei: Orient Culture Service, Eleftheriotis, Dimitris and Gary Needham, eds.

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Asian Cinemas: A Reader and Guide. This book examines a number of detailed case studies such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema and uses them to investigate the limitations of Anglo—U. Erlich, Linda and Ma Ning. Erlich, Linda and David Desser, eds.

Austin: University of Texas Press, Farquhar, Mary and Yingjin Zhang, eds. Chinese Film Stars. NY: Routledge, Whereas studies of stars and stardom have developed considerably in the West over the past two decades, there is no single book in English that critically addresses issues related to stars and stardom in Chinese culture. An international line up of contributors test a variety of approaches in making sense of discourses of stars and stardom in China and the US, explore historical contexts in which Chinese film stars are constructed and transformed in relation to changing sociopolitical conditions, and consider issues of performance and identity specific to individual stars through chapter-by-chapter case studies.

The essays explore a wide range of topics such as star performance, character type, media construction, political propaganda, online discourses, autobiographic narration, as well as issues of gender, genre, memory and identity. Including 15 case studies of individual Chinese stars and illustrated with film stills throughout, this book is an essential read for students of Chinese film, media and cultural studies. Ferrari, Rossella. Fong, Gilbert C. Dubbing and Subtitling in a World Context. HK: Chinese University Press, Fowler, Simon.

Chinese Women's Cinema : Transnational Contexts - Lingzhen Wang |

Hong Kong: Earnshaw Books, Fu, Poshek. Stanford: Stanford University Press, Gabereau, Eve. Giesen, Rolf. Chinese Animation, A History and Filmography, Jefferson, NC: MacFarland, Lu], eds. Wuhan: Wuhan daxue, HK: Nantian, Green, Peter. Grossman, Andrew, ed. Queer Asian Cinema: Shadows in the Shade.

NY: Harrington Press, Feng, and Gina Marchetti, eds. Philadelphia: Temple University Press, , Hongkong: Guangjiaojing, Hao, Dazheng. Austin: University of Texas Press, , He, Chungeng. He, Chungeng and Fanghua Wang.

Hillenbrand, Margaret. Hong, Junhao.

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Hou, Hsiao-hsien. Howkins, John. Mass Communications in China. NY: Longman, Changchun: Jilin wenshi, Hunt, Leon. Hunt, Leon and Wing-Fai Leung, eds. NY: I. Taurus, Iovene, Paola and Judith T. Zeitlin, guest editors. Johnson, Matthew. Kaplan, Ann E. Trauma and Cinema: Cross-cultural Explorations. Keijser, Anne Sytske. Kong, Haili and John A. Lent, eds. Norwalk, CT: EastBridge, Kraicer, Shelly.

Kramer, Stefan. Stuttgart: J. Metzler, Kuoshu, Harry. New York: Peter Lang, Carbondale: Southern Illinois University Press, Basically a study guide. Kwok and M. Lau, Jenny Kwok Wah. Philadelphia: Temple University Press, Lee, Leo Ou-fan. London: BFI Publishing, , Lee, Vivian. Lent, John. The Asian Film Industry. Lent, John, ed.

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Animation in Asia and the Pacific. Bloomington: Indiana UP, Leung, Helen Hok-Sze. Leyda, Jay. Cambridge: MIT, Lim, Kay Tong. Cathay: 55 Years of Cinema. Singapore: Landmark Boo for Meileen Choo, Lim, Song Hwee. The book also challenges readers to reconceptualize these works in relation to global issues such as homosexuality and gay and lesbian politics, and their interaction with local conditions, agents, and audiences.

Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the s created a public sphere in which representations of marginal sexualities could flourish in its interstices.

Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism. He provides in-depth analyses of key films and auteurs, reading them within contexts as varied as premodern, transgender practice in Chinese theater to postmodern, diasporic forms of sexualities.

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